90th Anniversary of
Montgomery Clift's birth


90º Aniversario del nacimiento de Montgomery Clift (1920-2010)

aaaaa TODA LA INFORMACIÓN SOBRE EL ACTOR MONTGOMERY CLIFT EN ESPAÑOL aaaaa

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23.5.10

Inventory of the Montgomery Clift Papers, 1933-1966 (Part I)

En la biblioteca pública de Nueva York (NYPL) se conserva una interesantísima documentación sobre Montgomery Clift. Se trata nada menos que de un archivo - inventario que abarca desde 1933 hasta su muerte en 1966. He contactado con la biblioteca y me han proporcionado un dossier que es el índice del archivo. Aquellos que tengan la ocasión de ir a la biblioteca pública neoyorquina les recomiendo (o casi les pido encarecidamente el favor) que hagan una visita y "vean" esos documentos. Yo daría algo por ver la correspondencia de Montgomery Clift.

Como es un dossier muy largo, he dividido la información en varios post que iré subiendo.

(English text)



Inventory of the
Montgomery Clift Papers, 1933-1966



Descriptive Summary


Title:
Montgomery Clift Papers, 1933-1966.
Collection ID: *T-Mss 1967-006
Creator: Montgomery Clift .
Extent: 12.3 lin. ft. (30 boxes)


Administrative Information

Access: Collection is open to the public. Photocopying prohibited. Advance notice required
Preferred Citation: Montgomery Clift Papers, *T-Mss1967-006, Billy Rose Theatre Division, The New York Public Library for the Performing Arts
Processing Information: The collection was conserved, rehoused, and reprocessed in 1995. Clippings and scrapbooks were photocopied for conservation purposes.


Biographical Note

Montgomery Clift was born in Omaha, Nebraska on October 17, 1920, hours after his twin sister Roberta (Ethel). He lived with his father William Brooks Clift, his mother Ethel "Sunny" Fogg Clift, and his older brother William Brooks, Jr. In the mid 1920's his family moved to Chicago and later, in the early 1930's the family settled in New York City.

At the age of twelve, Montgomery Clift made his first stage appearance in an amateur production of As Husbands Go in Sarasota, Florida. His professional stage debut was in a Stockbridge, Massachusetts production of a new comedy called Fly Away Home. In 1935, he made his Broadway debut in a New York production of Fly Away Home. Later that year he opened in a Broadway musical Jubilee. Other Broadway plays include Yr. Obedient Husband, Eye on the Sparrow, Dame Nature, The Mother, There Shall Be No Night with Alfred Lunt and Lynn Fontanne , The Skin of Our Teeth with Tallulah Bankhead, The Searching Wind, Foxhole in the Parlor, and Tennessee Williams' You Touched Me! Montgomery Clift and his longtime friend Kevin McCarthy also wrote a screenplay of You Touched Me!, but it was never produced. Other plays he appeared in are The Wind and the Rain, Out of the Frying Pan, Our Town, and Mexican Mural. The Sea Gull in 1954 was his final stage appearance.

In 1946 Clift made his first film, a western entitled Red River, opposite John Wayne. Due to a delay in the release however, his film debut was The Search in 1948 which earned him an Academy Award nomination for best actor. Later that same year Red River was finally released. In 1949 he co-starred with Olivia DeHavilland in the film The Heiress and went to Germany to film a World War II movie The Big Lift. He earned two more Academy Award nominations for best actor for his performances in A Place in the Sun (1951) and From Here to Eternity (1953). His co-star in A Place in the Sun, Elizabeth Taylor, became one of his long time friends. He made two more films with Elizabeth Taylor, Raintree County (1957) and Suddenly, Last Summer (1959).

On May 12 1956, Montgomery Clift was involved in a near fatal car accident after leaving a dinner party at Elizabeth Taylor's house in Beverly Hills. The accident disfigured his face, leaving it half paralyzed. Despite his injury he continued to make movies. He appeared with Marlon Brando, Dean Martin, and Hope Lange in The Young Lions (1958). He co-starred with Marilyn Monroe and Clark Gable in the film The Misfits (1961). He also earned his fourth Academy Award nomination for best supporting actor for his 7-minute performance in Judgment at Nuremberg (1961). In 1966, he made his last film entitled The Defector. Other films include I Confess (1953), Indiscretion of an American Wife (1953), Lonelyhearts (1958), Wild River (1960), and Freud (1962).

He died in New York on July 23, 1966 in his sleep. The cause of death was occlusive



Scope and Content Note

The papers of Montgomery Clift contain correspondence, scripts, photographs, notes, and scrapbooks. The collection is divided into eight series correspondence, writings, four series of scripts, personal papers, and scrapbooks.

The strength of the collection is the scripts. Some of the scripts, especially the produced scripts, range from early drafts to final drafts and most contain annotations by Montgomery Clift providing the researcher insight into Clift's involvement with the roles he created. Another aspect of the collection reveals Montgomery Clift's ambition to do his own writings. The collection contains original manuscripts of the screenplay You Touched Me! from the play by Tennessee Williams. The screenplay, written by Montgomery Clift and his long time friend Kevin McCarthy, was never produced.

En otro post completo la información.

11.12.09

Clift Family Papers.- biblioteca y archivo estatal de Tennesse

Los Clift, la familia paterna de Montgomery Clift, eran una familia sureña proveniente de Tennessee. He contactado con la Biblioteca de Nashville, capital de ese estado y me han proporcionado la siguiente documentación. Es una información acerca de William Clift y su hijo Moses Clift, bisabuelo y abuelo respectivo de Montgomery Clift quienes lucharon en bandos diferentes (de la Unión y Confederado) en la Guerra de Secesión. La documentación que se conserva de esta familia es desde 1820 aproximadamente hasta 1968 (tan sólo 2 años despuñes de la muerte del actor).

(English text)


State of Tennessee
Department of State
Tennessee State Library and Archives
403 Seventh Avenue North
Nashville, Tennessee 37243-0312

CLIFT FAMILY PAPERS
ca. 1820-1968


Processed by:
Jean B. Waggener
Archival Technical Services

Accession Number: 1968.383
Date Completed: December 3, 1968
Location: VI-F-4

INTRODUCTION

The Clift Papers, ca. 1820-1968, are photocopies of originals owned by William Clift, Rowland, Swarthmore, Pennsylvania. The materials in this finding aid measure .42 linear feet. There are no restrictions on the materials. Single photocopies of unpublished writings in the Clift Family Papers may be made for purposes of scholarly research.

SCOPE AND CONTENT

The Clift Family Papers containing approximately 150 items (269 photocopies), span the years from ca. 1820 to 1968 and are composed of Civil War letters, Bible records, a deed, wills, genealogical data and correspondence, historical and biographical sketches, D.A.R. and Daughters of 1812 applications, and other papers.

Of special interest to the historian are the letters (August 20, 1863 to October 27, 1864) of Colonel William Clift, 7th Tennessee Regiment, U.S.A., his second wife, Elizabeth, and other members of the family in Kentucky. Clift’s letters, written largely from Knoxville, Knox County, Chattanooga (Hamilton County), and Soddy (Hamilton County), Tennessee, reflect his movement and conditions in Kentucky, his imprisonment in Atlanta, and his activities in east Tennessee, where he carried messages for the Federals through Confederate lines. There are two letters reassuring Mrs. Clift of her husband’s safety, one (March 20, 1864) written by Major General George H. Thomas, and another (September 24, 1864) written by a member of his staff. One letter (undated) from Clift’s brother-in-law tells of the excitement in Kentucky regarding the Negro question, mentioning that Colonel Frank L. Wolford has denounced the President as a traitor and that Kentucky Governor Thomas E. Bramlett did not reply to the charge. During March and April 1864, Colonel Clift wrote to his wife from Soddy, Tennessee, about the possibility of her joining him, but cautioned her that there were robbers everywhere. Clift’s views toward slavery are revealed in his statements that he favored the proposal to emancipate the slaves and to leave them in the states where they “respectively belong and let them do the labor in freedom that they have done in slavery.”

The Clift family papers, including a sketch concerning how the Civil War in east Tennessee affected the Clift family, center around Hamilton County, Tennessee, while the McDonald and some of the other families followed the familiar migration pattern from southwest Virginia through east Tennessee, and on to Texas. Other family lines settled in Maryland, North Carolina, and Kentucky. Since the families in this collection are so closely related, the researcher should consult folders for any families into which their lines married.
Included is genealogical information for the Brooks, Brothers, Clift, Doughty, Fowler, Hutcheson, Kearley, McDonald, Rawlings, and Rowland families.


BIOGRAPHICAL SKETCH


Colonel William Clift

- 1794? December 5, born in Greene County, Territory of the United States South of the River Ohio (now Tennessee) In childhood Went to Knox County, Tennessee, with his father.
- 1823 April 25, married Nancy Brooks (1795-1847), daughter of General Moses Brooks of Knox County; children by this marriage: James Warren, Mary Ann, Joseph, Robert Brooks, America W., Elizabeth Agnes and Moses H.
- 1824-1825 Settled in Hamilton County, Tennessee, and became the first millionaire and one of the largest land owners who ever lived there
- 1828 Helped organize and became a charter member of the Soddy Presbyterian Church, which was first called Mount Bethel Church; was a ruling elder and clerk of the session for 40 years
- 1848-1855 Served as Commissioner of Improvement for the U.S. Government prior to 1861 Commanded the Hamilton County militia for many years; was a magistrate.
- 1861 Although he was far past the age for military service, he declared himself for the Union and organized the Seventh Tennessee Federal Regiment, of which he was elected Colonel. This regiment had no Federal authority atfirst and was considered by some to be a guerrilla regiment. On November14, 1861, Governor Isham G. Harris issued an order to capture Clift and his men, dead or alive. Two of Clift’s sons served with him in the 7th Regiment, while two sons and the husbands of his three daughters were in the Confederate Army.
1861, Nov. Clift’s regiment disbanded, with Clift and three of his men voting to stay in the area, 100 of the men seeking to join Federal forces in Kentucky and 200 of the men voting to disperse
- 1862, June Clift recruited men in Morgan, Scott and Anderson counties, Tennessee, for a regiment to be called the 7th Tennessee Volunteer Regiment.
- 1863 Married Elizabeth
1863 October 24, was captured by Confederate troops commanded by his son, Moses H. Clift, while he was attempting to carry dispatches from the Federal commanders in Chattanooga – then in a state of siege – to General Burnside in Knoxville
- 1864 early February, escaped from from prison in Atlanta, Georgia
- 1866 February 27, died in Hamilton County, Tennessee; buried in the Soddy Presbyterian Church Cemetery.

References:
1. Armstrong, Zella. The History of Hamilton County and Chattanooga, Tennessee, Vol. I. Chattanooga, Tennessee, The Lookout Publishing Company, 1931.
2. Tennesseans in the Civil War, Part I. Nashville, Tennessee, Civil War Centennial Commission, 1964.
3. Data in the manuscript papers.

CONTAINER LIST
Box 1
1. Aids to the researcher – Notes re the collection, its compiler, and genealogical
research
2. Civil War letters – Clift, William, Col., 7th Tenn. Regt., U.S.A., 1863-1864, containing letters from family and from Major General George H. Thomas
3. Genealogical Data – Brooks family
4. Genealogical Data – Brothers family
5. Genealogical Data – Clift family
6. Genealogical Data – Doughty family
7. Genealogical Data – Fowler family
8. Genealogical Data – Hutcheson family
9. Genealogical Data – Kearley family
10. Genealogical Data – McDonald family
11. Genealogical Data – Rawlings family
12. Genealogical Data – Rowland family
13. Genealogical Data – Rowland family
14. Sketches—Biographical – Rowland, Martha Cheatham (Fowler), 1852-1935
15. Sketches – General – The Civil War in Eastern Tennessee and How It Affected the Clift Family of Hamilton County.

12.7.09

James Jones Papers

En la Biblioteca de la Universidad de Yale se conserva un archivo que contiene la colección de documentos, correspondencia y fotos de James Jones, el autor de la novela De aquí a la eternidad (From here to eternity).


Características:


Yale Universit Beinecke rare book and manuscript Library Yale Collection of American Literature.


JAMES JONES PAPERS


YCAL MSS 23
by Tina Evans
New Haven, Connecticut
April 1986Last Updated: February 1998



Extent Total Boxes: 43Other Storage Formats: oversizeLinear Feet: 18.75
Copyright � 2001 by the Yale University Library.


Acerca de su novela y Montgomery Cift, la información que nos llega es la siguiente:


Series I,Writings


"Fragments ofFrom Here to Eternity, (1951) are in Box 1, folders 1-18. In 1953From Here to Eternity was made into a movie and Jones was hired to write the screen treatment. He withdrew from the project because of disagreements with Harry Cohn of Columbia Pictures. The section Screenplays, Box 28, folders 340-43, contains a copy of his preliminary film treatment and notes".


Series II,Correspondence


"Although Jones did not rely upon literary agents, he did depend upon Ned Brown of MCA Artists Agency Ltd., to handle negotiations with Columbia Pictures concerningFrom Here to Eternity (Box 36, folders 526-29). Ned Brown arranged for Jones to do a preliminary screen treatment, but the project was later turned over to Dan Taradash. He remained friendly, however, with Brown and discussed the possibility of a dramatization of the stockade scene inFrom Here to Eternity, the choice of Montgomery Clift to play the part of Prewitt, and provided general news concerning the Handy Writing Colony. When the filming ofFrom Here to Eternity began, Brown arranged for Jones to work on a script for Norma Productions so that he could remain in Hollywood. There are also letters from Harry Cohn of Columbia Pictures detailing character development in the film and possible problems with the Army. In Box 34, folder 488 are two letters from Montgomery Clift.


A good deal can be learned about Jones's early life from his correspondence with family and friends. In Box 35, folders 512-19, are letters to and from brother George "Jeff" Jones. These letters began in 1939 when Jones first entered the Army and are full of details concerning military life, his classes at the University of Hawaii, and his attitude toward women. He would later draw upon these experiences to writeFrom Here to Eternity. Jones began writing both poetry and short stories during his enlistment and frequently discussed his work with Jeff, outlining his plans for a writing career early in 1943. There are no letters from the period between 1945 and 1949, although there are a few letters from 1950-51 in whichFrom Here to Eternity is discussed.


Correspondence with Aunt Mollie Haish dating back to 1926 can be found in Box 35, folders 499-502. Mollie Haish's letters provide a great deal of family news, particularly concerning Jones's younger sister Mary Ann. She also offered encouragement while he was writingFrom Here to Eternity.


Harry and Lowney Handy played a very important part in Jones's life from 1943 until 1957. Early in 1943, when he was AWOL, Lowney Handy interceded with the Army and helped to arrange an honorable discharge. More importantly, she recognized his potential as a writer. For fourteen years she and her husband supported Jones financially and emotionally. While he wrote "They Shall Inherit the Laughter" andFrom Here to Eternity, he traveled throughout the country in a jeep and trailer the Handys purchased for him. Harry Handy's correspondence, frequently addressed to both Jones and Lowney Handy, who often joined him in his travels, concerns insurance matters, home improvements, and money. Upon the completion ofFrom Here to Eternity, Jones returned to Illinois and assisted in the formation of the Handy Writing Colony in Marshall, Illinois. The letters from Lowney Handy cover the same subjects as those of her husband, although she also wrote in detail about other colony members such as Willard Lindsay and Don Sackrider. Jones corresponded with both Lindsay and Sackrider".


Para consultar todo el archivo ver aquí.
Su carrera comprende 17 títulos entre 1948 y 1966. Trabajó con los grandes directores (Hawks, Hitchcock, Stevens, Zinnemann, Kazan, Huston, Wyler) y las grandes estrellas (Lancaster, Marilyn Monroe, Katherine Hepburn, Brando, Wayne, Elizabeth Taylor especialmente) de entonces.
Su carrera comprende 17 títulos entre 1948 y 1966. Trabajó con los grandes directores (Hawks, Hitchcock, Stevens, Zinnemann, Kazan, Huston, Wyler) y las grandes estrellas (Lancaster, Marilyn Monroe, Katherine Hepburn, Brando, Wayne, Elizabeth Taylor especialmente) de entonces.
Su carrera comprende 17 títulos entre 1948 y 1966. Trabajó con los grandes directores (Hawks, Hitchcock, Stevens, Zinnemann, Kazan, Huston, Wyler) y las grandes estrellas (Lancaster, Marilyn Monroe, Katherine Hepburn, Brando, Wayne, Elizabeth Taylor especialmente) de entonces.
The Right Profile
Lyric
Say, where did I see this guy?
In red river?
Or a place in the sun?
Maybe the misfits?
Or from here to eternity?

Everybody say, is he all right?
And everybody say, whats he like?
Everybody say, he sure looks funny.
Thats...Montgomery Clift, honey!

New York, New York, New York, 42nd street
Hustlers rustle and pimps pimp the beat
Monty Clift is recognized at dawn
He aint got no shoes and his clothes are torn

I see a car smashed at night
Cut the applause and dim the light
Monty's face is broken on a wheel
Is he alive? can he still feel?

Everybody say, is he all right?
And everybody say, whats he like?
Everybody say, he sure looks funny.
Thats...Montgomery Clift, honey!

Nembutol numbs it all
But I prefer alcohol

He said go out and get me my old movie stills
Go out and get me another roll of pills
There I go again shaking, but I aint got the chills